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Various Artists

Follow The Sun

May 5, 2017 Anthology
ARC017

Follow The Sun compiles twenty cuts dug from dusty bins by Mikey Young (Total Control, Eddy Current Suppression Ring) and Keith Abrahamsson (Founder / Head of A&R at Anthology Recordings and Mexican Summer) surveying the sought after sound of Australia’s lesser — and greater — known moments of ‘70s rock, folk, and their in-between offspring. Follow The Sun filters the sublime and sometimes subversive psychedelic airwaves transmitted around the world from America’s terrestrial platforms during the golden age of gentle, exploratory FM through a distinctly Australian lens.

Independent labels and recording studios proliferated across Australia during the late ‘60s and early ‘70s, while major labels simultaneously scoured the furthest reaching corners of the continent to foster new approaches in making music. With both indies and majors ultimately compelled to uncover the almighty single, the fringe was frequently explored for “crossover” sounds. This engendered a creative freedom amongst artists that mirrored the open-ended mood of the times. Anything was possible.

 

Follow The Sun Announcement News Post

 

Follow The Sun does not represent those Australian acts who produced a number one single leading to international fame and fortune. Some of the artists on the compilation never even made the local hit parade. But the fact that many of these artists didn’t enjoy chart success is secondary; these artists represent the consciousness of their time. As radio perpetrated pop fodder trodding the middle ground to ensure maximum advertising, the artists on this album chronicled the times in their own unique ways.

Beyond sharing a penchant for pop and its many shades, creating common ideals or setting a narrative around the artists featured on Follow The Sun is a tall task and tale. After all, Australia is a huge country, nay continent. The scuffed shuffle of Mata Hari’s “Easy” drastically contrasts the loner vibes of Gary Shearston’s “Witnessing,” while Megan Sue Hicks “Hey, Can You Come Out And Play” hypnotizes a la Shocking Blue and Trevor McNamara’s “Country Corn” spins out like a rural Skip Spence tune. Hailing from distant, disparate cities across the wide Australian map, each of these artists represent distinct, different forms of pop music.

 

 

The expansive double LP set features an earnest essay from Young, unseen photos and ephemera of the time, and a gaggle of “badly drawn idiots” ideated from the wonderfully weird mind of James Vinciguerra. Follow The Sun is available May 5, 2017 from Anthology.

 

 

From Young’s essay: “Maybe I inject some vision of a simpler more self-contained, innocent Australia in the way I hear this music. A ‘pre-Crocodile Dundee, Koala Blue, Ken Done’ Australia where in my yet-to-be-born head it seems that the rest of the world was less concerned about us and we were less aware of it. Our culture could operate in its own little bubble a lot easier than it does now and will again. I don’t idealise these as the ‘good times.’ Those kind of bubbles also create closed minds and shitty attitudes, but some great music is made when it’s restricted to its own small universe.”

2xLP $28.00

Out of Stock

CD $11.00
MP3 $8.99

Follow The Sun compiles twenty cuts dug from dusty bins by Mikey Young (Total Control, Eddy Current Suppression Ring) and Keith Abrahamsson (Founder / Head of A&R at Anthology Recordings and Mexican Summer) surveying the sought after sound of Australia’s lesser — and greater — known moments of ‘70s rock, folk, and their in-between offspring. Follow The Sun filters the sublime and sometimes subversive psychedelic airwaves transmitted around the world from America’s terrestrial platforms during the golden age of gentle, exploratory FM through a distinctly Australian lens.

Independent labels and recording studios proliferated across Australia during the late ‘60s and early ‘70s, while major labels simultaneously scoured the furthest reaching corners of the continent to foster new approaches in making music. With both indies and majors ultimately compelled to uncover the almighty single, the fringe was frequently explored for “crossover” sounds. This engendered a creative freedom amongst artists that mirrored the open-ended mood of the times. Anything was possible.

 

Follow The Sun Announcement News Post

 

Follow The Sun does not represent those Australian acts who produced a number one single leading to international fame and fortune. Some of the artists on the compilation never even made the local hit parade. But the fact that many of these artists didn’t enjoy chart success is secondary; these artists represent the consciousness of their time. As radio perpetrated pop fodder trodding the middle ground to ensure maximum advertising, the artists on this album chronicled the times in their own unique ways.

Beyond sharing a penchant for pop and its many shades, creating common ideals or setting a narrative around the artists featured on Follow The Sun is a tall task and tale. After all, Australia is a huge country, nay continent. The scuffed shuffle of Mata Hari’s “Easy” drastically contrasts the loner vibes of Gary Shearston’s “Witnessing,” while Megan Sue Hicks “Hey, Can You Come Out And Play” hypnotizes a la Shocking Blue and Trevor McNamara’s “Country Corn” spins out like a rural Skip Spence tune. Hailing from distant, disparate cities across the wide Australian map, each of these artists represent distinct, different forms of pop music.

 

 

The expansive double LP set features an earnest essay from Young, unseen photos and ephemera of the time, and a gaggle of “badly drawn idiots” ideated from the wonderfully weird mind of James Vinciguerra. Follow The Sun is available May 5, 2017 from Anthology.

 

 

From Young’s essay: “Maybe I inject some vision of a simpler more self-contained, innocent Australia in the way I hear this music. A ‘pre-Crocodile Dundee, Koala Blue, Ken Done’ Australia where in my yet-to-be-born head it seems that the rest of the world was less concerned about us and we were less aware of it. Our culture could operate in its own little bubble a lot easier than it does now and will again. I don’t idealise these as the ‘good times.’ Those kind of bubbles also create closed minds and shitty attitudes, but some great music is made when it’s restricted to its own small universe.”

1 Follow the Sun - Dave Douglas PLAY  
2 Riverboat - Andy Armstrong  
3 Easy - Mata Hari PLAY  
4 First Boy I Loved - Marian Henderson  
5 Spirit Move Within Me - Flock  
6 Hey, Can You Come out and Play - Megan Sue Hicks PLAY  
7 Kill My World - Autumn  
8 Knowing That You're There - Australia  
9 Am I Really Here - Moonlight  
10 Witnessing - Gary Shearston  
11 Wild Horse Plains - Tidewater PLAY  
12 Whispering Pines - Shepherd  
13 The Orange Tree - Cathie O'Sullivan  
14 Cement River - Steve Warner  
15 Good Morning - Paul Adolphus  
16 Something Strange - Doug Ashdown  
17 Country Corn - Trevor McNamara  
18 This Must Be The End - Billy Green  
19 Today's The First Day Of Your Life - Catmando  
20 Goodbye - Simon Jones (LP Exclusive)  

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